I love writing warm ups – or any kind of creative warm up – that are fun and a challenge.
My warm up this morning comes from WordPress’ Daily Prompt: Fearful Symmetry: Choose a letter and write with every sentence starting with that letter.
I instantly thought “m”. Of course I then immediately wanted to choose another letter, but I believe (from experience rather than from any supporting scientific evidence) that it’s important to go with one’s first gut response to a creative challenge.
“Should you be writing this sort of stuff?” someone asked me after reading one of my writing warm ups. “Aren’t you wasting your time?”
Want a fun writing challenge for your coffee break this morning?
Here’s a prompt that will put a sparkle in your synapses and a skip in your step.
Author Sharon Callaghan* came up with it for Greene Writers this week. Impossible, no way, you’re joking, we said. The boundaries seemed just too restrictive. But we were bowled over by what we produced.
Teachers of creative movement learn quickly that constraints help creativity. If you say “OK, so go ahead and make a dance” students talk and yawn, and can hardly get themselves up from the floor. If you say “Make a dance in which you cannot move from the spot, using only three parts of your body” there is the usual resistance for a couple of minutes, then you see only intense focus, concentration and energy…and exciting idiosyncratic, dynamic and Continue reading →
Do you read what artists in other disciplines are writing about?
I am always surprised by how helpful blogs and books about photography or visual arts or theater (or any art form) can be for my own writing or movement creativity.
“Think like a painter. Think like a musician. Think like a surgeon. Don’t think, just write.” Lisa Moore (Prism International, 2009)
I’ve been receiving ideas, advice, inspiration and encouragement from artist Robert Genn’s always entertaining twice-weekly newsletters for years. His recent passing will be a great loss to those who enjoyed his writings, paintings and teaching.
His daughter Sara, also a visual artist, is picking up the torch and continuing her father’s newsletter tradition. In last week’s newsletter she celebrated her father with a moving and inspiring tribute.
Robert Genn was a master of pithy quotations. One in particular that Sara shared, snagged my attention: Continue reading →
I have a very unwriterly reason for having a soft spot for Peter Carey: my godmother was a fervent fan of his.
I remember a wonderful visit with her years ago in her little house (oh how I loved her royal blue bathtub and loo), listening to her talk in great excitement over tea and cake about “this marvelous new Australian writer” and his newly published first novel “Oscar and Lucinda.”
So when I heard the two-time Booker Prize winner was coming to Montreal to discuss “the writing of inspiration” with Globe and Mail’s Arts Editor Jared Bland at Concordia University, how could I not go? Especially as they were to be joined by Booker short-listed author Josip Novakovich, the master, I discovered last year, of the art of hilarious-but-serious anecdotes.
I watched a mother pass sample pots of dry teas to her young son in a local tea store. Oranges, he said, sniffing at the tin his mother held out while at the same time continuing to tease his little brother. Grapefruit. Vanilla. Mint. He got them all. I thought about writing and the sense of smell.
Smell for Narrative Energy
In Edinburgh last year, I was entranced by the installation “It Happens When The Body Is Anatomy Of Time” by Brazilian artist Ernesto Neto in the Scottish National Gallery of Modern Art. The fragrance of spices, cloves, cumin, turmeric, pervaded the room, bringing the visual artwork – lycra ‘skins’, the stitching details, the colour and lighting – alive, and making the installation a sensual and exciting experience. Continue reading →