Since April 2 this year, Gustav Klimt’s painting Adele Bloch-Bauer I, the Woman in Gold, has been the centerpiece of a special exhibition at the Neue Galerie in New York.

In the painting, Adele stands radiant, hands delicately curved towards her chest, wearing a dazzling bejewelled dress, dark hair coiffed high.

On a lower floor of the Neue Galerie, in a passage near the toilets, hangs a related display of pictures. These were created by students in Vienna, the original home of the painting, who were asked to imagine Continue reading →