‘Want’ and the Short Story: (Almost) Creamed By A Wheelchair

Trajectoire No. 2 by Claude Millette, Musée Plein Air de Lachine

Trajectoire No.2
Claude Millette

A man in a wheelchair on the sidewalk up ahead was waving his arms wildly and yelling angrily at passers-by. They were giving him a wide berth, some crossing the road to avoid him. I was going to give him a wide berth too.

He yelled at me as I passed, and waved his arms. I couldn’t understand what he was saying except for ‘the bus’.

“What bus?” I asked, looking around, thinking he was crazy, that a bus wouldn’t be coming up a little street like this. But in fact a bus was coming up behind me and I realized he was at a bus stop and wanted me to push him onto the bus.

“Push,” he said. “You’ve got to push me. Now.” I pushed. “No,” he shouted. “Not now. Wait. You got to wait.”

The bus drew up. “Push,” he said. I pushed. “No,” he said. “You got to wait.” The driver lowered the step, opened the ramp. “PUSH,” he yelled. Continue reading

Odd Connections and the Creative Process: Writing “Arrivals”

Arrivals notice boardI am so pleased to have my story “Arrivals”  in the new issue of carte blanche.

I started this story in response to an assignment given by Nancy Zafris in her workshop at Kenyon Review Writers’ Summer Workshop in June 2012. Nancy gave the group a list of sentences. We were to choose one as the closing line for a story.

We were given one or two assignments every day for the whole week of the Kenyon Summer Workshop. This assignment Continue reading

Writing Exercise for Narrative Energy: Juxtaposing Multiple Ways a Character Experiences the World

David Moore's 1994 sculpture Site/Interlude, Musée de Plein Air de Lachine

Site/Interlude by David Moore

In life we constantly shift between different ways of experiencing the world – between inner and outer lives, between doing and thinking, dreaming, remembering, talking, between being (in one’s body) and interacting with people, things. We shift between emotions, between judging, enjoying and complaining, between sensing and moving.

Forcing a character to experience similar rapid shifts disrupts linear thinking, often producing Continue reading

Inspiration and Intention: Writing New Stories On The Road.

walking the reflexology labyrinth at Coastal Maine Botanical GardensA change of environment can often work wonders in helping stimulate new ideas, new inspiration, new ways of seeing oneself and the world. New stories too.  Perhaps it’s because a strange place makes one hyper-sensitive to new sights, sounds, impressions… That’s why Continue reading

Word-icise – A Word Workout and Writing Exercise!

The Passing Song, Catherine Widgery, 1992 Musée Plein Air de Lachine

“The Passing Song”
Catherine Widgery

Today’s writing prompt will be an end-of-summer word workout!

1. Start by exercising your fast-twitch word muscles. List all the words you can find within the word given below!  For example: if the word were “greatness”: great, eat, teen, neat, greet, gnat, rent, rest, ten….

2. Then we move to the slow-twitch/endurance word muscles. When you have found all you can, find at least four more. (And then four more?) Go on, are you sure there aren’t more?

3. Worn out? Add in some words which use any letter as many times as you like: trea(t), sten(t). Use real names: Tess, Stan

4. Now the pay off! Start writing, incorporating ALL the words in your list in the order in which they appeared.

The prompt word is:

RESOLUTION

Have fun!

Freedom and Structure in Revising a Story: Matt Bell’s Revision and Rewriting seminar at Grub Street

sculpture Monica (1985) by Jules Lasalle in Musée Plein Air de Lachine

Monica (1985) by Jules Lasalle
Musée Plein Air de Lachine

There I was, with a first draft I loved, a folder bursting with a massive amount of material I’d developed in search of what that first draft was truly about (none of which felt right), and absolutely no idea how to pull my story together or move it forward.

This was not a new experience for me. It always seems to happen with my favorite stories, the ones I feel really invested in, the ones I know have to be finished.

Unless my first draft is short and gives me a clear idea of where it’s going, my attempts to dig deeper into the story end up with me bushwacking my way through tangled undergrowth with no idea of whether I’m heading north, south, east or west. I have more than a few stories floating unfinished on my laptop’s hard drive (on my brain’s hard drive too). I’m not even talking about a novel here, just stories of maybe 2,500-5,000 words.

So – what next? Continue reading

Writing Political Fiction – ‘The Brothers Wolffe’ in “Everything Is So Political”

Everything Is So Political, ed. Sandra McIntyre, Fernwood PublishingI am very proud and excited to have my story “The Brothers Wolffe” included in the recently released anthology “Everything Is So Political” edited by Sandra McIntyre and published by Roseway/Fernwood Publishing.

I didn’t set out to write a political short story. Somehow, that never works for me.

With “The Brothers Wolffe” I was simply writing in reaction to an image on a postcard that I noticed in a café in the UK when I was visiting on holiday.

The postcard showed two men sitting side by side, knees agape, hands on thighs, looking Continue reading

How To Enjoy Talking About Yourself As A Writer

sculptures by Almut Ellinghaus

© Almut Ellinghaus

Once you’ve actually managed to say “I’m a writer” to people, the next step is to answer questions about your writing and yourself as a writer. It’s not always easy for a writer, or any artist, to talk about themselves or their work. I certainly find it very difficult and could often kick myself for being so awkward. I’m not thinking here about a hard sell, or about persuading a publisher to buy your book, but simply enjoying sharing your writerly self with anyone who shows a friendly interest. Continue reading

Playing With Words: Sentence Experiments – Writing Exercise

Shadows II by Jaume Plensa MMBA on loan from Georges Marciano

Shadows II by Jaume Plensa
MMBA on loan from Georges Marciano

Nothing perks up a piece of prose – and a writer – more than playing around with sentence structures.

A fun exercise I especially enjoy is to take a sentence that feels totally alien and try to write my own sentence in exactly that same style. Why? To surprise myself. To kick myself out of my same old same old ho-hum sentence habits. To discover new rhythms.

“I’m playing with words” Virginia Woolf

The Exercise Continue reading

Lost in Multiple Drafts of a Short Story

When I saw a TED video called “Try Something New For 30 Days” by Matt Cutts a few days ago, I knew  immediately it was the cue I needed to get back to re-writing and editing a story I’d really wanted to write but which I couldn’t finish.

I’m going to commit July to getting to getting to grips with that story (while not forgetting all those other July summery things like floating on water!).

which to choose?

which to choose?

I’ve written a mass of material – far too much for a short story. It has got too spread out and I have quite simply lost my way with it.

So the question is, how should I re-start? So many choices! But I need to find a new way to go about it. Continue reading